Aashiq Abu stayed under the radar without much buildup for Rani Padmini, his most recent discharge after the failure of his last flick. There is very little to say in regards to the plot that doesn't have quite a bit of a profundity yet the film give an alternate visual ordeal as a street and travel motion picture.
Portraying the audacious trip of two young ladies through the Himalayas with a parallel plot of a Himalayan Car Rally and a gathering of criminals pursuing one of the woman hero, Rani Padmini is without the general amusement stuffs yet not a motion picture to be disposed of refering to this insignificant reason.
I would say Aashiq Abu makes a decent rebound after a tragic film industry result for Gangster. Syam Pushkaran is the script essayist here and his screenplay is an energizing one giving a novel affair to our eyes. Obviously on the story part, its a lovely wafer flimsy one yet that is not a shortcoming to discount a film like Rani Padmini.
Surprisingly, I am seeing a motion picture in Malayalam with a short running time. Out of the one hundred and forty two minutes of running time, the pre-interim bit is restricted to only fifty minutes or something like that. Starting with the tale of Padmini and afterward to Rani the film unites them to frame an in number bond however they are posts separated as far as identity, conduct and character.
Without the vicinity of any real stars, two women Manju and Reema convey the film completely on their shoulder and draw of a victor here. A wonder such as this is not another thing for Manju Warrier but rather for Reema it ought to be a first of her profession and them two merits equivalent credits for their individual exhibitions. The way a few entertaining circumstances were taken care of by the two and the way the dialogs were displayed bringing the lighter side of the motion picture merits uncommon notice.
Sajitha Madathil as Padmini's relative conveyed a spotless demonstration alongside Jinu Jacob in a shockingly double avathar (not a twofold part). His wedding video where we see him in a conventional Kerala clothing was a shock and it was a significant decent makeover considering we have been accustomed to seeing him generally in an a la mode getup.
Soubin Shahin as a cameraman for a nearby channel had an extremely restricted part to play and was used next to no here according to the requests of the story yet he found himself able to make an imprint alongside the on-screen character showing up as the columnist. There were a few snickers made by the criminals pursuing Rani. The pack pioneer had a prominent vicinity in the motion picture. Sreenadh Bhasi makes a cameo apperance in the second half goodly.
Its the specialized viewpoints that score here. Cinematography is splendid aided by the pleasant areas as nature has huge influence in the motion picture. Altering is not awful while Bijipal has made a splendid showing on the music side. The title melody was an unattractive and an adorable one. One more melody with the same feel is likewise decent to listen. Sound outline is another remarkable range that has been done in an able way.
In general with great visuals portraying an audacious and striking adventure of two ladies characters, Aashiq Abu's Rani Padmini is a motion picture giving wholesome diversion in an alternate structure. I appreciated it aside from a brief segment in the recent half and running with three and a half out of five as my own rating for Rani Padmini. Great motion picture with no masalas, less in substance and high in visual magnificence, thats how I would total up this film.
rating : 4/5
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