The unusual way of executive M.Padmakumar's motion pictures constrained me to watch his most recent endeavor Kanal with the minimum of desire. That really ended up being a surprisingly beneficial turn of events as the film was an edible one from a viewer's perspective. With puzzle and anticipation held very nearly till the end stages, Kanal is an acceptable film from the mix of Padmakumar and Mohanlal rejoining after Shikhar.
The film is described in the setting of American subsidence that had a major effect in the Gulf particularly UAE. Because of the post-quake tremors of subsidence, life brings an upside down for Kuruvilla and Reghu two exceedingly fruitful business magnets of the Gulf.
That part closes there and we are back to Kerala where John David played by Mohanlal meets Anantharaman (Anoop Menon) and rest is every one of the a secret encompassing the voyage of the two uncovering more concealed stories associated with them over the span of time.
As a tension film, Padmakumar and his script essayist Suresh Babu have succeeded in keeping the riddle about the characters and the story behind everything oblivious. Obviously sooner or later of time, the huge thing must be uncovered which we could practically think about when sixty percent of the film is finished which itself is a major pick up nowadays.
I would not say, the film is a major slack or there is weariness however the general moderate pace of the film do gets fairly terrible feel in the motion picture particularly the first half. Additionally, towards the end, the story gets excessively snail paced, making it impossible to hose the inclination. Be that as it may, having received such a story directly through the whole span, can't whine much. Its the post interim bits beginning with the interim punch that are additionally exciting giving the puzzling character of John David a negative shade.
Mohanlal's character John David helped me to remember Sivankutty in Bhramaram. The parts are not comparative and shafts separated but rather that negative shade in the character make one look at both the parts. About the execution he was well-suited in the part that has shades of sentiment, silliness and as said the negative components too in it.
The following on-screen character who has more screen vicinity is Anoop Menon showing up as Anantharaman. Their mix scenes mixed extremely well. Atul Kulkarni, Prathap Pothan, Honey Rose and whatever is left of the performing artists did their part on the supporting side.
Ouseppachan's melodies were entirely alright however his experience score was ideal for an exciting and tension motion picture requested. Cinematography was pleasant and alters by Ranjan Abraham was gagged out flawlessly.
In general, Kanal however is moderate in nature and has lagness it is acceptable as a tension and puzzle thriller and settle as an above normal motion picture.
Rating – 3/5
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